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  • 1.
    Cuesta, Marta
    Halmstad University, School of Social and Health Sciences (HOS), Center for Social Analysis (CESAM), Social Change, Learning and Social Relations (SLSR).
    How to interpret autobiographies2011In: Razón y Palabra, ISSN 1605-4806, E-ISSN 1605-4806, Vol. 16, no 76, p. 9-Article in journal (Refereed)
    Abstract [en]

    The aim of this article is to reflect on how to read autobiographical texts. The major ambition is to make a point about the political meaning of testimonies.

  • 2.
    Cuesta, Marta
    Halmstad University, School of Social and Health Sciences (HOS), Center for Social Analysis (CESAM), Social Change, Learning and Social Relations (SLSR).
    VOICES and TERRITORIES: A Critical Study on Representation of Diaspora2008In: Razón y Palabra, ISSN 1605-4806, E-ISSN 1605-4806, Vol. 13, no 61, p. 1-20Article in journal (Refereed)
    Abstract [en]

    This article treats two exhibitions (Voces - a multimedia part within the greater exhibition “Forum Barcelona”, Spain) and (Territories a nomadic exhibition shown at the “Art Museum” in Malmö, Sweden). My aspiration is to critically discuss issues concerning “mainstream representations of diaspora” in a contextual understanding, from a postcolonial and feminist perspective.

  • 3.
    Stoehrel, Veronica
    Halmstad University, School of Social and Health Sciences (HOS), Centre for Studies of Political Science, Communication and Media (CPKM).
    Environment, Climate Change and Circulating Discourses in Chile2010In: Razón y Palabra, ISSN 1605-4806, E-ISSN 1605-4806, Vol. 15, no 72, p. 20 s.-Article in journal (Refereed)
    Abstract [en]

    Through a qualitative and Critical Discourse Analysis of three Chilean newspapers and the discursive context in which they are being distributed, an examination has been undertaken of how issues, which according to scientific findings are directly linked to environmental problems and/or climate change, have been addressed, or not addressed, within this medium. The results of the analysis reveal the ideological significance of “the absent”, as well as the way by which the commodification-process operating within this medium creates a certain order of discourse.

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