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The Reception of the Halmstad Group in the 1930s
Halmstad University, School of Education, Humanities and Social Science, Centrum för lärande, kultur och samhälle (CLKS).ORCID iD: 0000-0003-3885-8005
2019 (English)In: A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 / [ed] Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg and Tania Ørum, Leiden: Brill Academic Publishers, 2019, p. 241-256Chapter in book (Refereed)
Abstract [en]

Early on, influential art historians and critics identified the Halmstad Group as an interesting Swedish example of international surrealism. Others made fun of a supposedly odd combination of international avant-garde trends and manifestations of such an off-centre locality as the city of Halmstad. Individually the artists were both identified and denied as surrealists, depending on how strictly they were compared to preconceived notions about international surrealism. The artists themselves tried to balance this with independence in order to claim a type of surrealism of their own.

Place, publisher, year, edition, pages
Leiden: Brill Academic Publishers, 2019. p. 241-256
Series
Avant-Garde Critical Studies, ISSN 1387-3008, E-ISSN 1879-6419 ; 36
Keywords [en]
The Halmstad Group, Surrealism, Nordic Avant-Garde, Literature, Arts & Science, Literature and Cultural Studies, Cultural History, Literature and Cultural Studies, Social Sciences, Performing Arts, Art History
National Category
Cultural Studies
Identifiers
URN: urn:nbn:se:hh:diva-38268ISBN: 978-90-04-36679-4 (print)ISBN: 978-90-04-38829-1 (electronic)OAI: oai:DiVA.org:hh-38268DiVA, id: diva2:1260985
Available from: 2018-11-06 Created: 2018-11-06 Last updated: 2019-03-20Bibliographically approved

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Fuchs, Helen

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Output format
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