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The Human Animal: An Ecocritical View of Animal Imagery in Aldous Huxley's Brave New World
Högskolan i Halmstad.
2013 (engelsk)Independent thesis Advanced level (degree of Master (One Year)), 10 poäng / 15 hpOppgave
Abstract [en]

The early twentieth century saw the beginning of modern environmentalism. Intellectuals dreamed up solutions to the world’s problems and hoped for a better future being made possible by advances in science and technology. However, Aldous Huxley produced Brave New World which, as this essay argues, mocks the enthusiasm of his intellectual peers. The dystopian novel depicts a future in which technology dehumanizes the population, and uses a great deal of animal imagery to make this point. This essay analyses the use of animal imagery from an ecocritical perspective arguing that the “pathetic fallacy” is reversed. By examining the use of biotechnology and central planning in the novel, and applying the ecocritical perspective that humanity and nature are part of a whole, this essay argues that society resembles a farm for human animals, which is partly expressed by Huxley’s use of the image of a bee colony. The argument is presented that Huxley satirizes his environmentally concerned peers by depicting a totalitarian state which, though unconcerned with environmental issues, echoes the eco-fascist methods proposed by the author’s friends and family.

sted, utgiver, år, opplag, sider
2013. , s. 34
Emneord [en]
Aldous Huxley, Julian Huxley, ecocriticism, biofuturism, zoomorphism, dystopia, science fiction, animal imagery, environmentalism
HSV kategori
Identifikatorer
URN: urn:nbn:se:hh:diva-23625OAI: oai:DiVA.org:hh-23625DiVA, id: diva2:650271
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English
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Tilgjengelig fra: 2013-11-26 Laget: 2013-09-20 Sist oppdatert: 2013-11-26bibliografisk kontrollert

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