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Brunow, Dagmar, Dr. phil.ORCID iD iconorcid.org/0000-0003-0068-8063
Publications (10 of 43) Show all publications
Brunow, D. (2013). Archiv und Gedächtnis im autobiografischen Film: Maria Langs experimentelles Home Movie Familiengruft. Liebesgedicht an meine Mutter (BRD, 1981/82) (1ed.). In: Annette Brauerhoch, Florian Krautkrämer & Anke Zechner (Ed.), material, experiment, archiv: Experimentalfilme von Frauen (pp. 89-111). Berlin: b_books
Open this publication in new window or tab >>Archiv und Gedächtnis im autobiografischen Film: Maria Langs experimentelles Home Movie Familiengruft. Liebesgedicht an meine Mutter (BRD, 1981/82)
2013 (German)In: material, experiment, archiv: Experimentalfilme von Frauen / [ed] Annette Brauerhoch, Florian Krautkrämer & Anke Zechner, Berlin: b_books , 2013, 1, p. 89-111Chapter in book (Other academic)
Place, publisher, year, edition, pages
Berlin: b_books, 2013 Edition: 1
Keywords
experimental filmmaking, Maria Lang, Familiengruft, cultural memory, autobiographical filmmaking
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-5846 (URN)978-3-942214-05-6 (ISBN)
Available from: 2010-09-20 Created: 2010-09-20 Last updated: 2015-11-30Bibliographically approved
Brunow, D. (2013). Bollywood im Zeitalter der Globalisierung: eine transnationale Perspektive auf populäres Hindikino. In: : . Paper presented at Kunst als Avantgarde einer Weltkultur?, Muthesius Kunsthochschule, Kiel / Kunsthalle Kiel, Kiel, Germany, 6-8 June, 2013.
Open this publication in new window or tab >>Bollywood im Zeitalter der Globalisierung: eine transnationale Perspektive auf populäres Hindikino
2013 (German)Conference paper, Oral presentation with published abstract (Other academic)
Abstract [de]

Das populäre Hindikino, schon immer hybrid, ist seit den 1990er Jahren ein globales Phänomen. Die Ausrichtung auf ein internationales Publikum hat Konsequenzen für die Produktion, Ästhetik und Distribution der Filme. Inwiefern kann eine transnationale Perspektive dem Wandel Bollywoods vom Kino zur Kulturindustrie (Rajadhyaksha) Rechnung tragen? Der Beitrag untersucht veränderte Distributionsbedingungen, lokale Rezeptionen und Aneignungen sowie Bollywoods globale Fankultur.

Keywords
Bollywood, globalization, transnational filmmaking, Indian cinema, Hindi film
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-22582 (URN)
Conference
Kunst als Avantgarde einer Weltkultur?, Muthesius Kunsthochschule, Kiel / Kunsthalle Kiel, Kiel, Germany, 6-8 June, 2013
Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2015-06-26Bibliographically approved
Brunow, D. (2013). Reworking the archive: the essay film as an intervention into cultural memory. In: : . Paper presented at Visible Evidence. International Conference on Documentary Film and Media, Stockholm, Sweden, August 18, 2013.
Open this publication in new window or tab >>Reworking the archive: the essay film as an intervention into cultural memory
2013 (English)Conference paper, Oral presentation only (Refereed)
Abstract [en]

In its highly self-reflexive mode, questioning the notion of filmic images as ‘visible evidence’, the essay film is an epistemological tool for the study of visual politics. Therefore, it can offer useful insights into the mediatization of cultural memory. This paper will look at the use of the essay film by minoritized groups (Black, diasporic, feminist, queer), focussing on the remediations of archival footage. How can essay films be conceptualised as an emancipatory practice opening up discursive spaces for vernacular and alternative memories without lapsing into essentialism? Using Black British avant-garde filmmaking as an example, this paper examines filmic interventions into the visual archive. It outlines three practices of an anti-essentialist use of images defying notions of ‘truth’ and ‘authenticity’:  reworking the archive as a) ways of deconstructing hegenomic representation, b) as archaeological excavations into the archive, and c) as a mode of carving out discursive spaces for utopian visions.

Keywords
film, documentary, essay film, archive
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-23449 (URN)
Conference
Visible Evidence. International Conference on Documentary Film and Media, Stockholm, Sweden, August 18, 2013
Available from: 2013-08-29 Created: 2013-08-29 Last updated: 2015-06-26Bibliographically approved
Brunow, D. (2013). Western: Zwischen nationalem Kino und transnationaler Hybridkultur. In: Markus Kuhn, Irina Scheidgen & Nicola Valeska Weber (Ed.), Filmwissenschaftliche Genreanalyse: Eine Einführung (pp. 39-61). Berlin: Walter de Gruyter
Open this publication in new window or tab >>Western: Zwischen nationalem Kino und transnationaler Hybridkultur
2013 (German)In: Filmwissenschaftliche Genreanalyse: Eine Einführung / [ed] Markus Kuhn, Irina Scheidgen & Nicola Valeska Weber, Berlin: Walter de Gruyter, 2013, p. 39-61Chapter in book (Refereed)
Place, publisher, year, edition, pages
Berlin: Walter de Gruyter, 2013
Series
De Gruyter Studium
Keywords
Western, Film genre, transnational filmmaking, convergence culture
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-22589 (URN)9783110296983 (ISBN)9783110296990 (ISBN)
Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2015-06-26Bibliographically approved
Brunow, D. (2012). Amateur Home Movies and the Archive of Migration: Sandhya Suri's I for India (UK, 2005). In: Sonja Kmec & Viviane Thill (Ed.), Tourists & Nomads: Amateur Images of Migration (pp. 153-160). Marburg: Jonas Verlag
Open this publication in new window or tab >>Amateur Home Movies and the Archive of Migration: Sandhya Suri's I for India (UK, 2005)
2012 (English)In: Tourists & Nomads: Amateur Images of Migration / [ed] Sonja Kmec & Viviane Thill, Marburg: Jonas Verlag , 2012, p. 153-160Chapter in book (Refereed)
Place, publisher, year, edition, pages
Marburg: Jonas Verlag, 2012
Keywords
amateur filmmaking, home movies, migration, Sandhya Suri
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-22586 (URN)978-3-89445-464-7 (ISBN)
Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2015-05-08Bibliographically approved
Brunow, D. (2012). Before YouTube and Indymedia: Cultural memory and the archive of video collectives in Germany in the 1970s and 1980s. Studies in European Cinema, 8(3), 171-181
Open this publication in new window or tab >>Before YouTube and Indymedia: Cultural memory and the archive of video collectives in Germany in the 1970s and 1980s
2012 (English)In: Studies in European Cinema, ISSN 1741-1548, E-ISSN 2040-0594, Vol. 8, no 3, p. 171-181Article in journal (Refereed) Published
Abstract [en]

Collective film-making practice in Germany is still a blind spot in film historiography. During the 1970s and 1980s independent film and video workshops established a nationwide network to provide ‘counter information’ (Negt/Kluge) in order to challenge dominant media representations. Therefore, the works of the video collectives can become a relevant source for historians and journalists alike. While the videos can be perceived as an important contribution to left-wing cultural memory, this memory of the various media practices of the last decades is currently fading away. The videotapes slowly disintegrate and as digitization is costly and time-consuming, many video productions will not survive. This has consequences not only for historiography, but also for the visual iconography of cultural memory. This article focuses on the archival practice of three workshops in Hamburg, the stronghold for German independent film-making after 1968: the Medienpädagogikzentrum (Centre for Media Pedagogy, 1973–), bildwechsel (1979–), the umbrella organization for women in media, culture and art, and die thede (1980–), an association of documentary film-makers. The examples show how archival practice can be conceptualized not only as part of the hegemonic national archive alone, but also as an act of counter-memory. © 2011 Intellect Ltd Article.

Place, publisher, year, edition, pages
Bristol: Intellect Ltd., 2012
Keywords
Hamburg, film collectives, film historiography, minor cinemas, video, video activism, video art
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-22584 (URN)10.1386/seci.8.3.171_1 (DOI)2-s2.0-85011486168 (Scopus ID)
Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2017-12-06Bibliographically approved
Brunow, D. (2012). Der Essayfilm. Ästhetik und Aktualität [Review]. Historical Journal of Film, Radio and Television, 32(4), 637-639
Open this publication in new window or tab >>Der Essayfilm. Ästhetik und Aktualität
2012 (English)In: Historical Journal of Film, Radio and Television, ISSN 0143-9685, E-ISSN 1465-3451, Vol. 32, no 4, p. 637-639Article, book review (Refereed) Published
Place, publisher, year, edition, pages
Abingdon: Routledge, 2012
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-22585 (URN)10.1080/01439685.2012.728326 (DOI)000312342300009 ()
Note

Review of "Der Essayfilm – Ästhetik und Aktualität", edited by Thomas Tode/Sven Kramer

Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2017-12-06Bibliographically approved
Brunow, D. (2012). Film als Historiographie.: "Handsworth Songs" als Dekonstruktion kolonialer Geschichtsschreibung (1ed.). In: Hanno Balz, Jan-Henrik Friedrichs (Ed.), "All We Ever Wanted..." Eine Kulturgeschichte europäischer Protestbewegungen der 1980er Jahre: (pp. 107-119). Berlin: Karl Dietz Verlag Berlin
Open this publication in new window or tab >>Film als Historiographie.: "Handsworth Songs" als Dekonstruktion kolonialer Geschichtsschreibung
2012 (German)In: "All We Ever Wanted..." Eine Kulturgeschichte europäischer Protestbewegungen der 1980er Jahre / [ed] Hanno Balz, Jan-Henrik Friedrichs, Berlin: Karl Dietz Verlag Berlin , 2012, 1, p. 107-119Chapter in book (Refereed)
Place, publisher, year, edition, pages
Berlin: Karl Dietz Verlag Berlin, 2012 Edition: 1
Keywords
filmmaking - historiography - memory - Black Audio Film Collective - urban unrest
National Category
Humanities History and Archaeology Studies on Film
Identifiers
urn:nbn:se:hh:diva-22587 (URN)978-3-320-02284-6 (ISBN)
Available from: 2013-06-16 Created: 2013-06-16 Last updated: 2015-05-04Bibliographically approved
Brunow, D. (2012). Filmisches Gedächtnis als (trans)kulturelle Selbstverortung: Anti-essentialistische Strategien in Fatih Akins "Wir haben vergessen zurückzukehren". In: : . Paper presented at Identitätsaushandlungen im Kontext von Migration, Literatur- und Sozialwissenschaftliche Perspektiven, Konferenz, 12.-14. Januar, 2012, Forschungsstelle für Zeitgeschichte Hamburg (FZH), der Universität Hamburg, Hamburg, Deutschland.
Open this publication in new window or tab >>Filmisches Gedächtnis als (trans)kulturelle Selbstverortung: Anti-essentialistische Strategien in Fatih Akins "Wir haben vergessen zurückzukehren"
2012 (German)Conference paper, Published paper (Refereed)
Keywords
cultural memory, migration, filmmaking, Fatih Akin, anti-essentialism
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-16924 (URN)
Conference
Identitätsaushandlungen im Kontext von Migration, Literatur- und Sozialwissenschaftliche Perspektiven, Konferenz, 12.-14. Januar, 2012, Forschungsstelle für Zeitgeschichte Hamburg (FZH), der Universität Hamburg, Hamburg, Deutschland
Available from: 2012-01-15 Created: 2012-01-15 Last updated: 2017-04-26Bibliographically approved
Brunow, D. (2012). Roy Andersson. In: Marcelline Block (Ed.), Directory of World Cinema: Sweden (IB - Directory of World Cinema). Bristol: Intellect Ltd.
Open this publication in new window or tab >>Roy Andersson
2012 (English)In: Directory of World Cinema: Sweden (IB - Directory of World Cinema) / [ed] Marcelline Block, Bristol: Intellect Ltd., 2012Chapter in book (Other academic)
Abstract [en]

A portrait of the Swedish director Roy Andersson

Abstract [sv]

Ett porträtt av den svenske regissören Roy Andersson

Place, publisher, year, edition, pages
Bristol: Intellect Ltd., 2012
Keywords
Roy Andersson, Swedish cinema, director, Roy Andersson, regissör, svensk filmhistoria
National Category
Studies on Film
Identifiers
urn:nbn:se:hh:diva-6238 (URN)978-1841505596 (ISBN)1841505595 (ISBN)
Available from: 2010-11-04 Created: 2010-11-04 Last updated: 2015-05-04Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0003-0068-8063

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